Two little projects on my workbench: the railcar kitbash and a luggage cart.
I've only gotten this far, but it's a start.
Then I discovered an article written by John Allen on how to build a luggage cart, and I decided to modify his design a little and try my hand at it.
Here's his design.
Here's my progress so far on a card model version. I've added an extra rack to the back, per some prototypes, along with lettering on the side. Allen's wheels were acetate with the spokes drawn on; I decided to cut the spokes out, add rims and wrap a paper band around the outside.
Tuesday, December 4, 2018
Thursday, November 29, 2018
Next Project: Kitbashed Clever Models Caboose into Railcar
I decided my next project should be an HOn30 whimsical railcar. (It'll just be stationary.) I'm kitbashing together the following three things:
- A Jordan Highway Miniatures Model T Ford stake-bed pickup truck,
- A Clever Models caboose,
- Some N Scale wheels I had from another project.
Here's my mockup, just to get some of the sizes and proportions the way I want them.
I always like to use bogus train line names, and "Shamrock" has been a recurring word in my work, so I made a new logo for the Shamrock Island Line. (After all, it's not the REAL Rock Island Line!)
Here are some of my other bogus signs and logos...
My take on the old AT&T logo.
Obviously based on the Nickle Plate Road logo...
Tuesday, November 27, 2018
Clever Models Gateman Tower: Completed
It came out a little cattywumpus, which is actually kind of charming. There are a couple design problems with the engineering of the kit, the worst of which is: the upper level doesn't really connect with the lower in a proper, structural way... it attaches to the lower shingles, while the lower level attaches to the underside of the shingles at a different point. The floor of the upper level is held above the lower by the shingles, with a gap of around 5 or 6 scale inches between the two. The gap should have been hidden by the top landing, but I built the stairs quite a while ago, using a different printer, so I think it's a little smaller than it should be. Anyway, I hid the gap with a bit of clapboard from a second printout.
Sunday, November 25, 2018
Clever Models Gateman Tower, Test Fitting Sub-Assemblies
I am 5/8ths done with the upper tower walls and windows.
Here's what I have so far, roughly balanced together in order to see if I've screwed anything up.
My original plan was to light the inside, but at this point, that's too much of a hassle. I did sandwich a layer of black cardstock between the outer and inner surfaces, so if I do light it later, the light won't shine through the walls.
Friday, November 23, 2018
Clever Lever
I'm finally getting around to finishing my build of Clever Models' Octagonal Gateman's Tower.
I've had the stairs done and sitting around for a long time now; I guess it's time to finish the durn fool thing.
The project of the last couple days was making the lever which operates the gates. After Googling around, I found the following image showing the proportions of the lever.
From that, I was able to get my measurements. My first attempt was made from black cardstock, which looked all wrong. Then I took some stiff wire intended for earring and jewelry making, along with the foil cap from a wine bottle, and made this:
I assembled the whole thing with CA glue, and wrapped the top and bottom with a thin strip of the wine foil cap, and added a drop of black acrylic paint to the tips of the levers to resemble the rounded ends of the handles. I think that's about as close as I can get to the prototype, given the supplies I had on hand.
Putting clear windows in this beast at HO scale is very difficult indeed; I'm getting quite a bit of squeezeout from the CA glue, but I've decided it's pretty minor, given the scale, and it looks a bit like cobwebs. Cobwebs, yeah, sure, that's the ticket!
I'll probably make the roof removable if I decide I can't see the details through the windows.
I've had the stairs done and sitting around for a long time now; I guess it's time to finish the durn fool thing.
The project of the last couple days was making the lever which operates the gates. After Googling around, I found the following image showing the proportions of the lever.
I zoomed in on just the tower, and in GIMP, I pasted the cropped image below over the Clever PDF, sizing it to get it to match the size of the upper room.
From that, I was able to get my measurements. My first attempt was made from black cardstock, which looked all wrong. Then I took some stiff wire intended for earring and jewelry making, along with the foil cap from a wine bottle, and made this:
I assembled the whole thing with CA glue, and wrapped the top and bottom with a thin strip of the wine foil cap, and added a drop of black acrylic paint to the tips of the levers to resemble the rounded ends of the handles. I think that's about as close as I can get to the prototype, given the supplies I had on hand.
Putting clear windows in this beast at HO scale is very difficult indeed; I'm getting quite a bit of squeezeout from the CA glue, but I've decided it's pretty minor, given the scale, and it looks a bit like cobwebs. Cobwebs, yeah, sure, that's the ticket!
I'll probably make the roof removable if I decide I can't see the details through the windows.
Thursday, October 25, 2018
Ceci N'es Pas Une Billboard
I came across this odd billboard on a Portland history blog the other day...
For reference, I used the perspective tool in GIMP to straighten out the photo. I took the frame from a print ad for billboards, and fooled around with fonts to get a fair approximation of the original. (I swiped the colors from that print ad, too.) I altered the circle quite a bit by using different fonts, then rotated it a bit to jazz the design up a little. Once I had everything nailed down the way I wanted it, I used some of my GIMP tricks to make the sign appear to be recently painted on the Clever texture.
After I finished, I zoomed in on a higher resolution version of the original, and realized the original graphic designer put a clock face in the bottom of the 15, with fifteen minutes of the hour highlighted.
By the way, about the lettering for "FURNITURE EXCHANGE"; I just spent about $30 for "Show Biz JNL" by Jeff Levine. I'd been hunting for that font for quite a while, and there's no freebie version of anything close to it. It's a really good approximation of "Bulletin Board Thick and Thin Letters" as seen in The Expert Sign Painter, and variations on this typeface turn up in a lot of signage from that era.
Corner of NE Union (now MLK Blvd) & NE Sacramento Street, 1929.
(Via the Portland Archives and Records Center)
It's got a typical 1920s billboard frame, but that frame is simply painted onto the shiplap on the building. Naturally, I wanted to make one to put on a model building someday, so here's my take on it, dropped onto a Clever Models white shiplap background.
For reference, I used the perspective tool in GIMP to straighten out the photo. I took the frame from a print ad for billboards, and fooled around with fonts to get a fair approximation of the original. (I swiped the colors from that print ad, too.) I altered the circle quite a bit by using different fonts, then rotated it a bit to jazz the design up a little. Once I had everything nailed down the way I wanted it, I used some of my GIMP tricks to make the sign appear to be recently painted on the Clever texture.
After I finished, I zoomed in on a higher resolution version of the original, and realized the original graphic designer put a clock face in the bottom of the 15, with fifteen minutes of the hour highlighted.
By the way, about the lettering for "FURNITURE EXCHANGE"; I just spent about $30 for "Show Biz JNL" by Jeff Levine. I'd been hunting for that font for quite a while, and there's no freebie version of anything close to it. It's a really good approximation of "Bulletin Board Thick and Thin Letters" as seen in The Expert Sign Painter, and variations on this typeface turn up in a lot of signage from that era.
From The Expert Sign Painter, 1922.
Levine's "Show Biz"
UPDATE: Looking closely at more of the pictures on the Vintage Portland blog, I see that these flat billboard frames were a thing... in Portland, at least; I've never run into them before...
Also, while looking for images of workers putting up billboards, I came across a Jam Handy film on Archive.org, To Market, To Market, which was very boring, but had a LOT of information about period billboards.
Also, while looking for images of workers putting up billboards, I came across a Jam Handy film on Archive.org, To Market, To Market, which was very boring, but had a LOT of information about period billboards.
Labels:
Clever Models,
font,
Ghost Sign,
GIMP,
Jeff Levine,
lettering,
sign,
sign painting,
typeface
Saturday, March 3, 2018
Flea Circus Update #02 -- Carousel
This is the first of two carousels I've built for my flea circus. There were two things wrong with it: first, the animals are backwards relative to the direction the flags are flying, and second, the needle bearing I made for it is pretty poor and has a little more friction than I wanted. I rebuilt it with the animals corrected and a metal lamp finial as the pivot point for the needle bearing, and it spins quite nicely.
Flea Circus Update #01 -- Strongman Pulls Down a Statue
I'm building a flea circus, updating some of the techniques documented in Walt Noon's excellent DVD tutorial, and I think I've come up with a unique strongman act, inspired by fairly recent events in the news. I'm going to have one of the fleas pull down a statue.
Here's how I see it playing out when I perform: I take out the statue, and explain that he's the former ringmaster of the circus, who was terrible and all the fleas hated him. I'll wave it around a bit, so the audience will get the idea that the statue and the plinth are all one piece. Then I'll place him on the floor of the circus, and loop a bit of rope around his neck, and give the opposite end of the rope to the strongman flea. He'll then begin tugging, and he'll pull the statue off the plinth.
Here's the first prototype...
The base for this is a larger spool, painted with a faux marble finish. The figure is from a "Series of Unfortunate Events" board game, and I thought he looked passably like a circus ringmaster. He's painted with a bronze/copper mix, and given a thin wash of turquoise for the patina. TThe whole setup stands about 4" tall.
I thought about using a Confederate general, but it was more expensive to find just one of those toys than I anticipated. Anyway, the right audience members will understand the implication that this guy represents a Confederate statue.
I've built quite a few components of the circus now, and all that's left is assembly, training the fleas, and building some of the hidden mechanisms to help them do their stunts.
More to follow...
Here's how I see it playing out when I perform: I take out the statue, and explain that he's the former ringmaster of the circus, who was terrible and all the fleas hated him. I'll wave it around a bit, so the audience will get the idea that the statue and the plinth are all one piece. Then I'll place him on the floor of the circus, and loop a bit of rope around his neck, and give the opposite end of the rope to the strongman flea. He'll then begin tugging, and he'll pull the statue off the plinth.
Here's the first prototype...
He's Mr. Green from a Clue set. I've inserted a thumbtack in the base, and hidden a small magnet at the top of the spool. That way, I can hold him upside down, and he'll still stay attached to the plinth. Then I attached a stronger magnet to the bottom of the plinth, so I can set him down on the floor of the circus, and he'll stay put because I've either hidden a metal washer or another magnet under the floor. I'll help the flea tug on the rope with some trickery hidden under the floor.
Once I'd tested to make sure my proof-of-concept miniature worked the way I wanted it to, I built the final statue.
The base for this is a larger spool, painted with a faux marble finish. The figure is from a "Series of Unfortunate Events" board game, and I thought he looked passably like a circus ringmaster. He's painted with a bronze/copper mix, and given a thin wash of turquoise for the patina. TThe whole setup stands about 4" tall.
I thought about using a Confederate general, but it was more expensive to find just one of those toys than I anticipated. Anyway, the right audience members will understand the implication that this guy represents a Confederate statue.
I've built quite a few components of the circus now, and all that's left is assembly, training the fleas, and building some of the hidden mechanisms to help them do their stunts.
More to follow...
Subscribe to:
Posts (Atom)